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| Mosaic from the church of Hagios Demetrios in Thessaloniki, late 7th or early 8th century, showing St. Demetrios with donors. |
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| Miniatures of the 6th-century Rabula Gospel display the more abstract and symbolic nature of Byzantine art. |
| The Annunciation from Ohrid, one of the most admired icons of the Paleologan Mannerism, bears comparison with the finest contemporary works by Italian artists. |
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| Miniatures of the 6th-century Rabula Gospeldisplay the more abstract and symbolic nature of Byzantine art. |
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| Frescoes in Nerezi (1164) |
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| Helios in his chariot, surrounded by symbols of the months and of the zodiac. The "Handy Tables" of Ptolemy, produced during the reign of Constantine V (1291) |
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| Mosaic from San Vitale in Ravenna, showing the Emperor Justinian and Bishop Maximian of Ravenna surrounded by clerics and soldiers. |
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| St Mark's Basilic in Venice, where imported Byzantine mosaicists were succeeded by Italians they had trained. |








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